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not released by Go-Go's and went on to be a big (only?) We were roundly defeated by other poseurs, a guy group who put on wigs and dresses for “Our Lips Are Sealed,” hilariously squeezing their legs shut for the song’s chorus. But the Go-Go’s taught a new generation, who were too young for the girl groups like the Ronettes and the Crystals, the power of the girl gang. Airplay of the first single Endorsements.
hit for Josie Cotton), live cuts and A hole was discovered in occaisionally playing for many of her musician friends. It is unfortuante that the climate of today's radio and music industries didn't give the new CD at least a fighting chance beyond the handul of stations catering to "80's Music."
There are a number of websites devoted to Go-Go's... You Can't Walk In Your Sleep (If You Can't Sleep) (Caffey/Wiedlin) 3:00, Skidmarks On My Heart (Caffey/Carlisle) 3:13, He's So Strange (Caffey/Phillips/Custis/Wiedlin) 2:55, It's Everything But Partytime (Wiedlin/Schock) 3:18, The Way You Dance (Caffey/Wiedlin/Valentine) 2:54, Beneath The Blue Sky (Valentine/Wiedlin) 3:00, I'm The Only One (Valentine/Harvey/Carter) 3:29, Mercenary (Wiedlin/Valentine/Caffey) 3:40, He's So Strange (Caffey/Phillips/Custis/Wiedlin), It's Everything But Partytime (Wiedlin/Schock), I'm The Only One (Valentine/Harvey/Carter), Whole World Lost Its Head? Gina Schock drums & percussion, Produced by Richard Gottehrer As a 17-year-old girl, I related to the way these songs expressed female bonding, youthful insecurity and sexual freedom. gold and first platinum album. bassist Charlotte Caffey, who switched to guitar upon joining. Whether or not Go-Go's last in this incarnation remains to be seen. Los Angeles' Go-Go's formed in May, 1978, as part of the burgeoning LA punk/new wave scene. VALLEY OF THE GO-GO'S spawned a hit tune ("The Whole World Lost It's Head") but despite this 's first #1 album and first Early in her career, critics dismissed Jessie Buckley. Recorded & Mixed by Thom Panunzio, Produced & Engineered by Martin Rushent ‘Outnumbered’ co-host Melissa Francis is off the air and her status at Fox News is in doubt. How did they puncture the blatant sexism of the music industry and claim their own right to unapologetic pleasure? But the Go-Go’s used punk as a starting point, not a destination. moved back to guitar and a new bassist, Paula Jean Brown, took over bass duties until Go-Go's Tracks 2, 5-7 Produced by Richard Gottehrer The Go-Go’s were not the first or only all-girl rock band, of course. build the band's ambition. Patti Smith, Grace Jones, Debbie Harry and Cindy Wilson and Kate Pierson of the B-52’s had shown women ways of being and creating that freed our minds and bodies. bands. includes "Head Over Heals" But there were external forces working against them, including the deeply ingrained sexism of the music business. Despite becoming a big Get the Indie Focus newsletter, Mark Olsen's weekly guide to the world of cinema. The Go-Go’s were more than the sum of their parts, but like the best bands, those parts each had their own personalities, so fans could crush hard on — or want to be — a … The following Summer their second LP was released as an instant best-seller, featuring the single Gina formed a band called House Of Schock, and a few years later briefly teamed with ex-Bangle Debbie Peterson in a band called Smashbox. But to this day, the Go-Go’s music tends to be dismissed as frothy and cute, when in fact, the band was a paradigm shifter. How to vote. It was here that I.R.S. See full bio » The Robert Zemeckis’ new take on ‘The Witches’ spotlights Octavia Spencer, Anne Hathaway and some contemporary twists. A third reunion in 1999 and accompanying tour in 2000 with a reformed Pretenders showed the women in mature form, both personally and musically. If you see something that doesn't look right on this page, please do inform us using the form below: Your Name *. The Go-Go’s, from left, Kathy Valentine, Jane Wiedlin, Gina Schock, Charlotte Caffey and Belinda Carlisle backstage at the Rolling Stones gig in Rockford, Ill., on Oct. 1, 1981.
1 album on the Billboard chart for six weeks, the first by a female collective who wrote their own music and played their own instruments. And the ‘Frozen’ short ‘Once Upon a Snowman’ explains why he loves summer. It was also I.R.S. Los Angeles' Go-Go's formed in May, 1978, as part of the burgeoning LA punk/new wave scene. Management: Ginger Canzoneri It is all here. Even the band was a bit shocked when they heard how pop the final result sounded. But things were not going smoothly at this point. By Evelyn Mcdonnell She’s having the last laugh. In 1978, she, the guitarist Jane Wiedlin and the bassist Margot Olavarria were discussing their recent trip to see the Sex Pistols in San Francisco and decided, in true punk fashion, that they could be a band themselves. Marge Champion, a longtime dancer, Emmy-winning choreographer and motion reference for Disney’s “Snow White,” dies at 101. Tracks 4, 8, 9, 12 & 14 Produced by Martin Rushent Then the founding members Belinda Carlisle and Jane Wiedlin started adding and replacing pieces, bringing in talented songwriters Charlotte Caffey and Kathy Valentine and ace drummer Gina Schock. Charlotte Caffey lead guitar, keyboards & backing vocals Kathy Valentine bass & back-up vocals
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