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They don't make film like this anymore! The first part, 'Distant Voices', opens with grown siblings Eileen (Angela Walsh), Maisie (Lorraine Ashbourne) and Tony (Dean Williams), and their mother (Freda Dowie) arranged in mourning clothes before the photograph of their smiling father (Pete Postlethwaite). Your AMC Ticket Confirmation# can be found in your order confirmation email. It makes you feel connected to the world through a paradoxical recognition of how isolated we are from each other. Distant Voices, Still Lives (1988) cast and crew credits, including actors, actresses, directors, writers and more. Bracingly original and beautifully composed, Distant Voices, Still Lives is an invigorating period drama that finds director Terence Davies in peak form.
| Rotten (8). Distant Voices, Still Lives Critics Consensus. Tony as a child, Susan Flanagan Please reference “Error Code 2121” when contacting customer service. You hate the man who is beating his wife, who is dominating his young children. Distant Voices, Still Lives Favorite Movie Button ... Synopsis; Movie Reviews; More. Channel Four Films, August 30, 2018 All rights reserved. This film focuses on an ex-Foreign Legion officer as he recalls his once glorious life, leading troops in Djibouti.
A terribly beautiful film... [that] makes one at times almost forget the simultaneously banal and and violent lives which the film remembers. Eileen as a Child Nathan Walsh.
One of the most beautiful things I’ve ever seen. The use of music throughout is at times brilliant and haunting when used over some disturbing scenes, however the constant bursting into song was sometines distracting. The plot involves a family wedding in working class Liverpool just after the second world war and the various episodes in the family's past dealing with their sometimes brutal and disturbed father.
The ongoing abuse takes its toll in the form of failed marriages and misguided attempts at seeking security outside the family unit. Tony and Maisie's memories, however, are more troubled. so there’s a scene in this where the dad, an abusive piece of shit, gives his kids christmas presents as they sleep, and on the commentary track davies talks about how many people saw that as a small moment of kindness/possible redemption from the dad. While on a train, a teenage boy thinks about his life and the flamboyant aunt whose friendship acted as an emotional shield from his troubled family.
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