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1 lượt xem 25/10/2020

“My taste was to always go for that mix, even back in the Sixties,” Ocasek told Vanity Fair’s Marc Spitz. Though it seems to share a sentiment with a slew of vintage rock and R&B tunes, “Good Times Roll” distances itself from the carefree mood of, say, Shirley and Lee’s 1956 hit “Let the Good Times Roll” with its hard-edged midtempo strut, blaring backing vocals, and Ocasek’s stylized singing. “I obviously was a huge fan of Dylan, but my other favorite band was the Velvet Underground. Send us a tip using our anonymous form. Ocasek also had success as a producer and solo artist, and when the Cars returned with their 2011 comeback LP, Move Like This, they proved they could rival the many bands — from Weezer to No Doubt and the Strokes — who made classic music in their long, gawky shadow. The Cars spent six months in England laboring over Heartbeat City, perfecting the mix of elements. All rights reserved.

The Killers - "Mr. Brightside". “We started out wanting to be electric and straight-ahead rock, and it kind of turned into an artier kind of thing,” Cars keyboardist Greg Hawkes once said of the way the band fine-tuned its sound in the early days. A rawer demo version of “Just What I Needed” — a song Ocasek apparently wrote in the basement of a commune he was living in — broke the Cars in the first place when Boston radio started playing it in 1977. From “Just What I Needed” to “Magic,” “Drive,” and more, we look back at some of the great pop-rock eccentric’s finest moments, Elliot Easton, Ric Ocasek, Greg Hawkes, Benjamin Orr and David Robinson of the Cars at the World's Fair grounds in Brussels, Belgium 1978. Bassist-singer Orr had died in the interim, a huge loss, but in so many ways, the Cars’ sound was pristinely preserved. Ric Ocasek, The Cars. Foo Fighters, Pink, Cher, Jon Bon Jovi to Perform at Joe Biden Virtual Event Tonight, Jerry Jeff Walker, Outlaw Country Architect and ‘Mr. Those are some lyrics to one of my favorite car songs of all time: "Real Man's Car" by a band from Long Valley, NJ named BLUE SPARKS FROM HELL. This interest reached a height with MMORPGs like Asheron’s Call 2, Star Wars Galaxies, and World of Warcraft, on which William spent considerable time up until college.

In Craig Marks and Rob Tannenbaum’s oral history, I Want My MTV, director Chris Stein recalled taking the idea to the group. Fun, Fun, Fun - The Beach Boys - 1964. “Nothing in that song happened to me personally,” he said later. Nowhere is that more evident than “Free.” Over hand claps and laser-beam synths, Ocasek delivers quick-tongued lyrics about time travel and stepping outside “your dark world.” The track sounds playful, serious, and sonically impeccable all at once, not to mention deeply catchy. The Chords' "Sh-Boom" and Chuck Berry's "Route 66" add a sweetly nostalgic feel to the album (later on, John Mayer contributes a blandly slick version of "Route 66" that could appear on virtually any soundtrack). … J.D.

“Just What I Needed” (written by Ocasek but sung by Benjamin Orr) is obvious proof of that philosophy, with its chugging eighth-note guitars marching along in crisp perfection; that, along with omnipresent synth riffs, is one of the reasons why The Cars sounds like one of the first album of the 1980s despite being released in 1978. Now, William enjoys playing Super Mario Maker 2 on the Switch with his daughter and finding time to sneak in the newest From Software game when possible.

Fortnite is available now on Android, iOS, PC, PS4, Switch, and Xbox One, with PS5 and Xbox Series X versions in development. Full list of The Cars songs, sorted alphabetically by name. The band again worked with Queen producer Roy Thomas Baker, but Ocasek said they tried for a rawer approach than on their first album. We would keep at it until it sounded live — or alive.” E.L. There's also a '50s undercurrent to the soundtrack, nodding to the fact that many of the characters in the film are cars designed during that decade, including a 1959 Impala and a 1959 Fiat 500. The Cars were the New Wave band with the purest Top 40 heart, thanks to Ric Ocasek’s vision of combining moody, post-punk alienation with glossy hooks and a nervy sense of hunger. Find album reviews, stream songs, credits and award information for 101 Driving Songs - Various Artists on AllMusic - 2008 “I’m not proud of the lyrics to ‘Shake It Up,’ ” Ocasek later said. Copyright 2020 Tunefind LLC. - Ronny and the Daytonas - 1964. Even though a soundtrack that consisted entirely of Newman's pieces and songs would be more in keeping with Pixar tradition, Cars does a good job of balancing its pop and score elements.

Elliot Easton’s fiery guitar solo impressed Steve Vai so much that he transcribed it for Guitar Player magazine in 1986, and even interviewed Easton about it. Ocasek didn’t keep all his good songs for himself. “I heard the London Symphony do [it],” he said in a 1997 interview, “and that was weird.” E.L. Eric Carrington / Rev. now. “Jimmy Jimmy” goes for an extremely Suicide-ish electronic pulse, as Ocasek narrates the tale of a troubled teenage boy who doesn’t want to go home and take out the garbage. But this delicate single from his 1986 LP This Side of Paradise, which made into the Top 15, can hold its own with any Cars tune. And the people are good. “I’m Not the One” was a deep cut from Shake It Up, never a single, but it became so beloved by fans, it was included on the Cars’ 1985 Greatest Hits. While Ocasek scored hit after hit with the Cars, he explored a darker, more personal vibe on his first (and best) solo album, Beatitude. It's a killer car song with all the right elements: many automotive references (correct ones! “Well, some of the things on that first album that we thought were a little slick, we toned down on the second, like on the background vocals,” Ocasek said.

The Cars joked that they should’ve called their astonishingly tight 1978 self-titled debut The Cars’ Greatest Hits, for good reason, and they kept rolling out precision-tuned new models throughout the Eighties. Even at this early stage in the Cars’ career, Ocasek was already committed to puncturing as many pop clichés as he could. Already the sexiest song the Cars would ever record, thanks to an uncharacteristically slithery groove and an insinuating rhythm-guitar part, “Moving in Stereo” would hold a special place in Gen X iconography, after its instrumental soundtracked the infamous moment in 1982’s Fast Times at Ridgemont High where Judge Reinhold fantasizes about Phoebe Cates rising from a swimming pool.

25 Great Songs With Car Names in the Titles.

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